In a side note to my comments yesterday about my audience, I’ve further
been told that one of the things people find interesting about this here blog
is all the food I’ve been eating at the restaurants I’ve been going to. With
that in mind, I will endeavor to keep describing them.
On to Saturday. We were again doing staggered calls, so I wasn’t called
until 1:30. We were back at the Flea in TriBeCa, and since my call was late, I
decided to walk to the theatre. It’s just a little less than two miles, and
since the weather has apparently decided to stay nice (currently 68 with 63 percent humidity), it felt like a perfect day to do it.
I had my choice of two routes; one would have taken me east on Houston,
then south on Broadway, but I opted for the southern route, down Avenue B
(which becomes Clinton on the other side of Houston) to E. Broadway, then Worth
to Broadway. It promised to be a more interesting route, and (as I learned)
since it went right through Chinatown, it was. While the sidewalks are narrow
and crowded with shoppers and smokers, the buildings and views are all things
you can’t get anywhere else in Manhattan.
I mean, seriously; I turn a corner and see this?
Since the theatre was freezing cold the last time we were there, I
brought a jacket (which added another few pounds and some bulk to my backpack),
but when I got there, the temperature was quite pleasant, and I didn’t need a
jacket after all.
Most of the rehearsal focused again on ensemble stuff, most notably what
we’ll call the “cuckoo clock” sequence, which gives the play its central
metaphor. I won’t spoil it for anyone who’s coming to see the show, but it’s
probably easy enough to find the original text online. Regardless, when we did
the show the first time, it was a sequence that was originally reasonably
elaborate, with lots of stylized movement. As we went on, the movement got less
and less (whether that was due to it just not working or our own inability to
pull it off, I cannot say), to the point where we basically all just stood
there and let the lighting and projections do the heavy lifting.
"There is a cuckoo clock in Hell ... "
Last Sunday, I described the long session we had blocking another new
version of the section that finally seemed to be coming together at the end. Well,
today, we pared a lot of that movement down to the basics, and I expect it’ll
change even more when we get into our real space on Tuesday. (Even as I write
this, I’m thinking of Brian remarking while we were putting it together that I’d
probably be blogging about it later tonight. How right he was.) I don’t think
it’ll be as static as the San Francisco version, but I do think it won’t be
exactly like what we did today.
The biggest problem we’re dealing with right now is that we still haven’t
worked in a space that is the same size as what we’re going to have. It’s
always “We’ll have two feet more downstage” or “The wall will be at a slightly
different angle and go a little farther” or “Is there an exit there?” It’s no
one’s fault, but there are times when a director just can’t get a one-to-one
match and has to make the corrections they can make only when they’re in the
real place. As long as everyone knows those are the circumstances, I think we
all make mental adjustments—or, at least, notes—that stay in the back of our
heads and tell us “this will change.” The problem at the Flea is the same one
from last week; that, in the downstairs space, we have to deal with a permanent
set piece of the front of a bodega and a structural brick pillar. The Flea has
been marvelous about moving out what they can, but there’s only so much they
can do.
We were talking during a break about having people come to see the show,
and everyone seems to be in agreement that, even though we have only one official
“preview” (this Friday!) before opening, it’ll take us a little while to feel
like we really have a handle on it, so I don’t think any of us has anyone
coming before the second week. (Pidge isn’t coming until the 13th,
our second Saturday.)
We broke at 5:00, and I decided to walk home using the northern
Broadway/Houston route, but that proved to be a major mistake, as the sidewalks
were even more crowded by people who had apparently told their friends they were
shopping in SoHo, but had actually come to stop unexpectedly in the middle of
the sidewalk, walk slowly, or wave cigarettes and large shopping bags around.
When I did get home, I was surprised to find a guy sleeping in the vestibule.
Given that the vestibule is the approximate size of a phone booth (with a
flight of stairs), this was no mean feat. I assume he was sleeping something
off, despite the bottle of Coke loosely clutched in his fist, but he seemed
harmless. I excused myself around him to get in the door (he was leaning up
against it, so I would have had to wake him regardless), then left him there
when I entered the apartment.
While I was watching the end of the Dodger game, I decided to do my laundry
tonight (rather than Monday), if only to give myself a full day off. I found a
new laundromat on 2nd, which I liked a lot. They’re open until
midnight and use a card system rather than taking quarters. This means I put
money in a machine, got a plastic card with added value, then put that card
into the washer or dryer to start the cycle. Right now, I have no idea how much
value is on my card, but I did two loads for less than $8.00, which was a nice
change of pace.
Considering it was a Saturday night (I got there about 7:30), there were
a lot of people, but there were plenty of seats, shelves, and carts, so it was
preferable to the other place I’d been going to. It’s a little farther away,
but I may go back.
Walking home, I thought I should get some supper (here comes the food
part!), and as I walked by possible places, I checked them out on Yelp. I had
initially planned on going to a place around the corner (PMF: Pardon My French)
for steak frites, but the two times I walked by, it was uncomfortably loud, and
I don’t need that with dinner. The second possible was a place called the
Cornerstone Café. It nearly won (and I’ll probably hit it eventually), but I
opted for an Italian place called Gruppo, just a little farther down Avenue B
than PMF. I considered getting pasta, but they specialize in extremely-thin-crust
pizza, so that’s what I went for, with meatballs, green peppers, and pepperoni,
accompanied by a “Super Tuscan” wine.
9" personal pie
I expected it to be loud and crowded like every other place in the
neighborhood on the weekend, but it was very quiet (granted, it was 9:30), with
only a few other people in the place. I sat, ordered, and was served pretty
quickly, and the pizza was very good. It’s almost a cracker-like crust, and
while I prefer a thin-crust pie, this might have been just a wee bit too thin.
It was good, but really crunchy. The ingredients were fresh, and the service
friendly and helpful, so I thought I made the right choice. I thought I had
earned some dessert, so I had a scoop of gelato, paid the bill, and left.
I walked by PMF (still loud, though nowhere near as loud as the Hairy Lemon Pub sports bar farther down the block; when I walked by that place,
I was across the street and wearing earbuds, and it was still deafening)
I returned home (no one in the vestibule this time), determined to catch
up on the blog, and it looks like I have. Sunday is our last rehearsal not in
the Flea, and the last one not in our space. It’s another staggered call, so I’m
not due until 12:30, which means I’ll probably walk again. The plan (according
to the schedule) is some more ensemble work, then stumble-throughs of both
acts. After that, who knows?
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